Dinesh D’Souza didn’t take any chances with his new documentary, “2000 Mules.”
The conservative filmmaker leaned on free speech-friendly platforms like Rumble and Locals.com to ensure his provocative challenge to election integrity got a fair hearing.
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William Blinn, a screenwriter for the landmark TV projects “Brian’s Song” and “Roots” and the Prince film “Purple Rain,” has died. He was 83.
Blinn died Thursday of natural causes at an assisted living community in Burbank, California, his daughter, Anneliese Johnson, said Saturday.
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The 2020 theatrical release calendar is getting even slimmer in the wake of the announcement that Regal cinemas are temporarily closing, although AMC, North America’s largest theater chain, says it will remain open.
Warner Bros. said late Monday that its sci-fi pic “Dune” will now open in October 2021, instead of this December. The studio also pushed back “The Batman” to March 2022 and moved up its “Matrix” sequel to Dec. 2021.
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Following the less-than-stellar theatrical debut of Christopher Nolan’s “Tenet,” Warner Bros. is delaying its next big release, “Wonder Woman 1984,” to Christmas.
The postponement Friday of the “Wonder Woman” sequel, which had been scheduled to hit theaters Oct. 2, comes on the heels of Hollywood’s boldest attempt to lure moviegoers back to theaters during the pandemic.
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Olivia de Havilland, the doe-eyed actress beloved to millions as the sainted Melanie Wilkes of “Gone With the Wind,” but also a two-time Oscar winner and an off-screen fighter who challenged and unchained Hollywood’s contract system, died Sunday at her home in Paris. She was 104.
Havilland, the sister of fellow Oscar winner Joan Fontaine, died peacefully of natural causes, said New York-based publicist Lisa Goldberg.
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by Jack Coyle NEW YORK, New York (AP) — A long time ago in a pre-COVID universe far, far away, blockbusters opened around the globe simultaneously or nearly so. In 1975, “Jaws” set the blueprint. Concentrate marketing. Open wide. Pack them in. Since then, Hollywood has turned opening weekends into…
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Christopher Nolan’s “Tenet,” which had hoped to herald Hollywood’s return to big theatrical releases, has yet again postponed its release due to the ongoing coronavirus pandemic.
Warner Bros. said Monday that “Tenet” will not make its August 12 release date. Unlike previous delays, the studio this time didn’t announce a new target for the release of Nolan’s much-anticipated $200 million thriller.
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The closely watched arrival of Christopher Nolan’s big-budget sci-fi espionage film “Tenet” will finally happen on July 31, Warner Bros. announced Friday.
The studio said it would delay the release by two weeks and instead re-issue Nolan’s 2010 sci-fi blockbuster “Inception” in mid-July.
The release date for “Tenet” has been closely watched in all corners of the film industry, which has faced shuttered theaters due to the coronavirus since mid-March. Movie theaters plan to reopen in July for a vastly different summer season than the one the industry had planned.
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Something really interesting is happening at Malpaso Productions, Clint Eastwood’s movie production company. Eastwood’s films, especially in recent years, portray the best in the American character through real stories of ordinary Americans called by events to stand up and shine. In his latest, “Richard Jewell,” Eastwood continues exploring a theme I’ve called “American Greatness in the Shadow of 9/11.” The result is a body of work that is awe-inspiring and unlike anything we have seen before in American cinema.
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There is near-universal agreement among movie critics that Cynthia Erivo, who plays the title role in Harriet, not only carries the movie, but makes it engaging, suspenseful, and rousing. Erivo is nothing short of spectacular, said Breitbart’s John Nolte, and we agree.
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When Netflix’s bland new psychological thriller “Secret Obsession” was released last week, I never expected keen political insights, let alone a unique cinematic twist. (Warning: Some spoilers ahead.) Under closer scrutiny, however, the film solidifies the need for individual rights, and presents a damning picture of California’s unconstitutional gun laws.
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by Thaddeus G. McCotter Hollywood, the cultural epicenter of the “resistance” to the faux totalitarianism attributed to President Trump, has a vastly different approach to the real totalitarianism of Communist China: capitulation and self-censorship. As noted by Mark MacKinnon, the senior international correspondent for The Globe and Mail, the sequel to…
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by Grace Carr The pro-life movie “Unplanned,” which tells the story of a former abortion worker whose pro-choice stance changed after working at a clinic, brought in nearly triple the expected box office numbers at the weekend’s close. The movie hit theaters Friday and brought in over $6.1 million…
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by Helen Lamm Art imitates life, but to an even greater extent, life imitates art. Like culture and politics, the two are intertwined in an infinite feedback loop. Sometimes it’s hard to tell where one begins and the other ends. The latest addition to the wildly popular Marvel cinematic universe,…
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by Grace Carr The Motion Picture Association of America (MPAA) officially gave the upcoming abortion film Unplanned an “R” rating Friday for “some disturbing/bloody images” of aborted babies. Movies are rated R for profanity, nudity, sex or violence. Unplanned contains no profanity, nudity or sex. “Ironically, the MPAA seems to…
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by Grace Carr Film producers of “Gosnell,” a movie detailing the crimes of abortion doctor Kermit Gosnell, never trusted pro-lifers until they pulled together “brutal” murder evidence for the movie that changed their perspectives on abortion. “I never trusted or liked pro-life activists,” film producer Ann McElhinney told Lifesite. “I thought the…
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by Jordan J. Ballor I saw Incredibles 2 over the Father’s Day weekend, and just like its predecessor, there’s a lot to ponder beneath the surface of this animated film. In the real world we’ve had to wait 14 years, but the sequel picks up basically where the original left off. As the…
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